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“In terms of execution I cannot remember a more brilliant film. “If all you know about this exuberant, self-regarding 1963 film is based on its countless inferior imitations, you owe it to yourself to see Federico Fellini's exhilarating, stocktaking original, an expressionist, circuslike comedy… It's Fellini's last black-and-white picture and conceivably the most gorgeous and inventive thing he ever did.”
8 1 2 FEDERICO FELLINI HOW TO
He claims he doesn't know what he wants or how to achieve it, and the film proves he knows exactly, and rejoices in his knowledge.” It does what is almost impossible: Fellini is a magician who discusses, reveals, explains and deconstructs his tricks, while still fooling us with them.
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I have seen 8 ½ over and over again, and my appreciation only deepens. “The best film ever made about filmmaking. “FELLINI’S CHEF D’OEUVRE… HIS ELEGANT, RAMBUNCTIOUS CIRCUS OF A MOVIE! This most grandly self-centered of movie extravaganzas hasn't aged a minute.” Academy Award®, Best Foreign Language Film. Seamless, seemingly autobiographical interweaving of reality, memory and dreams, a stylistic breakthrough and an influence on generations of moviemakers.
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(1963) Torn between mistress Sandra Milo and wife Anouk Aimée, and totally devoid of ideas for his next picture, Felliniesque director Marcello Mastroianni escapes into childhood memories and sexual fantasies.